- Sátántangó Film Review: An Epic of the Microcosmic
Jackie Moffitt (he they pronouns) is a 23 year old writer, actor, filmmaker and musician In addition to their volunteer work at the Film Forum, Jackie is a performer and neurodiversity advocate with Theater of Possibility, a theater group for autistic and other neurodivergent young adults using techniques from Augusto Boal’s Theater of the Oppressed
- Sátántangó [Online] - Northwest Film Forum
** Newly restored for its 25th anniversary! ** This seminal work of “slow cinema” follows members of a defunct agricultural collective living in a seemingly post-apocalyptic landscape in the long shadow of Communism who, on the heels of a large financial windfall, set out to leave their village As a few of the villagers secretly co
- Sátántangó - Northwest Film Forum
** Newly restored in 4K for its 25th anniversary! ** This seminal work of “slow cinema” follows members of a defunct agricultural collective living in a seemingly post-apocalyptic landscape in the long shadow of Communism who, on the heels of a large financial windfall, set out to leave their village As a few of the villagers sec
- Other Music [Online] - Northwest Film Forum
Tunde Adebimpe (TV On the Radio), William Basinski (composer), Panda Bear (Animal Collective), Matt Berninger (The National), Stuart Braithwaite (Mogwai), James Chance (The Contortions), Brian Chase (Yeah Yeah Yeahs), Benicio Del Toro, Janeane Garofalo, Martin Gore (Depeche Mode), Daniel Kessler (Interpol), Ezra Koenig (Vampire Weekend), Mac McCaughan (Superchunk), Stephin Merritt (Magnetic
- Northwest Film Forum :: Series Archive
Continuing our exhaustive exhibition of the work of great Hungarian director Bela Tarr, Northwest Film Forum presents rare screenings of this master’s earliest works For those who’ve seen SATANTANGO and WRECKMEISTER HARMONIES, these early films may come as something of a shock
- Northwest Film Forum :: Series Archive
DECEMBER 3 – 12, 2007 Portuguese director Pedro Costa has long been recognized as a major auteur in Europe and Asia, and has been praised by artists as far-reaching as Jacques Rivette and Jeff Wall, but is often overlooked in North American film circles
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